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Monday, March 22, 2004 Ý

A Fragrant Act of Animosity

In honour of the beginning of Spring, I have decided to post something entirely untimely and inappropriate, mainly because Iíve been working on it since early January, please enjoyÖ



I knew I was taking a chance by parking my station wagon in the far right hand side of the parking lot after work on Wednesday night. But itís a marginally easier spot to drive into and it saves about a half a second on the short walk to the front door of our apartment so I decided that these two factors combined made it worth the risk.

"Did you park your car where youíre supposed to?" asked Marianne as I came up the stairs.

"No.î I said, as I took off my jacket.

She looked concerned: "Donít you think you should go a out and move it in case the snow plough guy decides to come tomorrow morning?"

"NawÖ" I said dismissively: "Itíll be okay, Iím not going to worry about it; he hardly even shows up. And, besides, it hasnít even snowed that much today."

I must not have sounded very convincing: "Why donít you just move it to be on the safe side?" She asked.

Iím too lazy to play it safe: "If he turns up he just can plough around me like he always does. Trust me, he wonít show up."

***

During the previous winter I had discovered a dirty and crumpled note under the wiper blades of our car, presumably left by the snowplough operator. It had been written with pencil in a scrawled hand and we couldnít make out what it said too well, except that we were pretty sure it contained the words ëparkingí and ëspotí.

When I spoke to my landlord next I asked him about the note I had found and what it had meant. ìYeah, he mentioned that the last time I spoke to him. Basically what it is, okay, is that heíd like you to park a little further over. It would make life easier for him if you parked a little more towards the centre of the lot instead of in the far right where you are parking, okay.î He added, "Although why he choose to tell us this now that the winterís almost over I donít know"

I told him that he could have always just have knocked on my door and asked me to move my car altogether, but I didnít care too much where I parked so I started parking where heíd requested, in spite of the fact that we had only one more snowy day before spring arrived.

***

On the first really big snowfall of 2003 there was no sign of the snowplough, but I had parked in the middle of the lot as instructed last year. After the second big snowfall of the year there was still no sign of the plough. I began wondering if snowploughing was more of an art than may have been immediately apparent. Perhaps snow removal has a lot in common with being an expert ski hill groomer, and requires a deep and intuitive knowledge of subtle shifts in snow conditions that the majority of the population are ignorant of.

Looking at it that way, I could see how it might very well be possible that only certain types of snow would warrant a plough. The decision to plough or not to plough is not just a question of 'quantityí, itís as much a matter of ëqualityí of snow. An expert snowplough operator could just look out of his window at five oíclock in the morning after a good heavy snowfall and say to himself, "It really snowed a lot last night, but ploughing this morning would be a mistake that only an amateur would make. The snow today is granular and loose and will make a great base for future snow falls. No need to plough today!" Then, with the confidence that comes from years of snow removal experience, he would get back into his warm bed.


A day or two later, inclement weather conditions would again call on him to exercise his powers of expert discretion: "You know what?î He would say, surveying the drifts and snow-engulfed landscape, ìI wonít plough today either. Iíve got a good base going from the last snowfall, and this snow is wet and packed and thereís a lot of it. If I know my job as well as I think I do itís going to get significantly warmer today. The fresh snowfall will melt slightly and combine with the granular base to make a perfect surface for the formation of ice when the temperature goes down tonight. Any well cared for parking lot should have a slick and slippery upper layer similar to what you might find on a skating rink or frozen pond. If you see that, you know youíre doing a good job!"

The third snowfall was of the type of day you and I would probably call a light ëdustingí of snow, we might even find it to be aesthetically pleasing, and probably not significant enough to take the effort to shovel the driveway. Itís in situations like this where the expert snow plough operatorís knowledge and skill really comes in handy: "Iíve created a really good glacier-like base now, really icy and hard; that no amount of ploughing is ever going to make a dent in it. In other words; a perfect day to get out there and start ploughing!"

This, of course, was the day that I decided that I would park in the far right hand spot. When I walked outside on Thursday morning my car was ensconced behind a wall of snow:



It was obvious that this was no accident; I immediately interpreted it as a symbol of war, a deliberate attempt by the snowplough operator to send me a message. The message was: "I donít know you, but I hate you. By choosing to park in the spot which I communicated to you via a thoughtful hand written note only last winter was unsatisfactory to me, you have added to the misery and frustration of my life exponentially. ì

ìI am a snow plough operator. Itís what I do. Itís bad enough I have to wake up early every morning to look out the window to decide that Iím not going plough, but when I decide that I am going to plough the last thing I need to see is some fancy schmanshy station-wagon in my way making it hard for me.î

ìI hate you, and therefore it is well within the code to which all snow plough operators adhere to plough your car behind an impenetrable wall of snow.î

ìDid I mention I hate you?"

I was pissed, and immediately went to talk to my landlord

îIím not happy.î I told the receptionist. She went to get the landlord.

He emerged affably from his office,î Come in and weíll talk." He said.

"Iím not happy." His happy look making me doubt that he would take me very seriously. "Iím really not happy." I repeated it for effect.

"Yeah, I kind of noticed that when you came in. Look, I feel bad, if you want thereís a shovel in the closet and you can dig yourself out.î He expected me to shovel myself out? I followed him into his office and he sat down at his long desk and took out a piece of paper on which he proceed to draw the house, the parking lot, my car as I had been currently parking it, and my car where the snow plough operator wanted me to parkÖ



He obviously didnít understand, I knew where the snowplough guy wanted me to park, I was just angry that he had he had blocked me in: "I am really, really not happy about this at all." I repeated.

"Yeah, " he shrugged; "but thereís nothing much I can do about it is thereÖ" He went back to concentrating on the diagram of the parking lot.

It took me a minute to process the statement, but as soon as I did I interrupted his explanation of the parking lot diagram mid-stream: "Why isnít there anything you can do about it?"

He looked distinctly uncomfortable that I was continuing on this course of conversation: "Well, itís done now, okay, and Iím sorry, okay. I can say something to him, okay, but heís kind of a rough and ready kind of guy, yíknow!" he flexed his arm muscles to demonstrate that he was a big, strong guy, a demonstration that contained a certain amount of admiration, possibly mixed with fear: " So, I could say something to him, sure, but I really donít think itís going to have much effect."

ìOkayÖ.î I said dubiously, as he directed his attention back to the diagram. I didnít let his pencil touch the paper: ìHold on! Doesnít this guy work for you?"

"Yes, I employ him.î A look of horror crossed his face: ìBut Iím not going to fire him! All that would mean is that I wonít have any one to plough the parking lot, and all that would mean is that have to find someone else, and I donít want to have to do that!"

"You donít have to fire him!î I honestly hadn't consider that as an option: "But I would think that fact that you employ him might give you some kind of sway over his actions." He didnít look so sure. I grew angrier as a spoke. There had to be something that would hit a nerve, that would prompt him to action; I wanted retributive justice!

"Look, this guy ploughed in my car on purpose. I have to pay my rent to you right, and in order to be able to pay you that rent, I need to be able to get to work! How am supposed to go to work when my car is behind a mountain of snow?!î I wasn't entirely convinced by my own argument, but I was getting myself worked up into a self-righteous fervour, and starting to enjoy myself: ìI will not be intimidated! This was no accident! It was deliberate and malicious! ItísÖ itísÖ a fragrant, I mean flagrant, act of animosity! And I will not stand for it!" I may have even slammed my fist on the table, I canít really remember.

ìOkayî my landlord said reluctantly. ìIíll talk to him and tell him not to do it again. Look, I do feel really bad about the whole thing.î

"Good! Thatís all I ever wanted to hear! All I wanted to hear was that you would tell him that what he did was wrong, and that youíll let him know that it was wrong.î Actually, I hadnít anything specific in mind but it seemed like the best I was going to get in the circumstances.

***

The revenge fantasies began that night, on the way home from work: What I really should have done was made the landlord call the snowplough operator right then and there on the phone, and force him to come and dig me out personally, as I stood and watched, arms folded imperiously ìThat teaches you!î I might even say. But the driver made some comment under his breath as I walked away, causing me to lose it, my voice got all squeaky and cracked, like a pubescent boy. Not a good fantasy.

I let my reptilian imaginings take me somewhere even darker: Up the driveway comes the plough on a dark, snowy pre-dawn day- his headlights illuminate a silhouette with a baseball bat (baseball bats figure into my revenge fantasies with great regularity, although this has absolutely no symbolic meaning.) ìHeís a crazy man!!î the driver would scream, and try to back away, but too late! Iíd smash out his headlamps and the windshield of his precious truck! I'd laugh like a maniac, and stomp in victory on the hood before he swerved away in terror. The next logical step in this fantasy was an attempted assault charge and destruction of personal property- not good.

Perhaps it would best to wreak vengeance in such a way as would protect me from any possible reciprocation. Yes, I would cripple him psychologically, and hereís how I would do it; I would find out the bar that he frequents, and then ëaccidentallyí bump into him there. Weíd strike up a conversation (perhaps Iíd even where a costume, such as such as a big handlebar mustache.) Weíd get a good rapport going, then offhandedly mention that heíd been the guy that ploughed my car in. Heíd realize that something wasnít right, but wouldn't be sure what yet. Iíd look deep in to his eyes, down in to his very soul and pull from inside him his darkest secret, and I lay it all out for him, right there, elaborating on the root source of his massive insecurities in stunningly accurate detail. Iíd reduce him a quivering mass of humiliation and regret in front of his buddies. For some reason as I imagined this the plough operator transformed into someone I went to middle school with, Sid Jones to be exact, and instead of destroying his ego, weíd laugh good naturedly about the whole thing: "I canít believe I got ploughed in by Sid Jones! Sid Jones of all people!" This fantasy suddenly stopped hitting the spot. I mean, for all I knew maybe the guy had some serious problems in his life, and I should probably be the bigger person and stop developing ridiculously elaborate revenge fantasies and instead just enjoy the CD I was listening to. Take it easy Al, itís no big deal, youíre getting yourself all worked up for nothing.

One of the most valuable things I learned in my first year of art school was that the way to come up with a creative design solution is to direct your attention to something other than the problem youíre trying to solve. As soon as I started to think even slightly compassionately about snowplough guy I knew how I should get him: First, I would watch for the name on the side of the truck or use some other tricky method to find out where he lived. Next, I would rent a snowplough and drive it to his house. I would make sure that on the day that I did this there would be lots of vehicles in his driveway. I would plow them all drive away laughing, the snowplough operator shaking his fist behind me.

I described the fantasy Iíd come up with while making dinner with Marianne, "But he owns a snowplough, heíll just be able to plough his way out." She said.

Good point." Well, then, Iíll plough everything, his front door, his house, everything!"



But she was right, it wouldnít work: ìI guess I have to just write about it in my blog then.î I said, which made me feel a little better.


posted by Alan
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4:49 PM



Wednesday, March 17, 2004 Ý

Came across this post on the Comics Journal asking for submissions to The Flaming Fire Illustrated Bible. It's certainly a motley assemblage of drawings ranging from a comic sequence from Mark 7:25 by Jeffrey Brown to a LOT of gag interpretations, to social commentary to the old faithful caricaturist style.

Of course there are a couple that are just plain wrong: "The girls are inked with my sable hair brush and the BG was done with a micron pen."??

I think this is my favourite.


posted by Alan
permalink

4:32 PM



Tuesday, March 09, 2004 Ý

Walkabout

I’ve been hit by a blaze of work over the past two weeks. It always happens this way; I make the mistake of thinking I’ll be able to relax a little and then !WHAM! A co-worker gets in car accident on her first day of her new job and then all of a sudden I’m the backfill guy, and was meant to be the ‘back-fill guy’ all along, even though nobody thought to tell me and I’ve never done her job before. She’s in a lot of pain so I shouldn’t complain too much, it would be much worse to be in her shoes, trying to do work at home, and dreaming ceaselessly about all the work she should be doing. I’m being assigned ‘Action Items’ left, right and centre. Funny how easily the corporate speak comes now. Except, I still can’t figure out which one’s the ‘Soft’ Copy and which one’s the ‘Hard’ Copy. "Alan, send me a soft copy of your actions item’s by Tuesday."

Action Item #1: Figure out which one the ‘soft’ copy is.

About mid-week I started getting a feeling for what I really needed to do in order to lower my blood pressure to ‘pre-corporate’ levels. No, not a trip to the gym. What I was longing for was one of those aimless, lazy walks that I often chose to fill my days with back when I only worked part-time. Yeah, a good concentrated dose of people watching, and meandering through book and record shops. "I just want to get out and walk," I repeated over and over to Marianne on the way down Victoria Park: " I just want to walk around the city and think about nothing." I needed a respite.

I dropped off Marianne at the bar where she was meeting her friends and headed off. Couples and groups of friends filled the streets, all enjoying the first unequivocally spring-like day of 2004; a balmy breeze, jacket open, I walked up John Street, past the overpowering statement of suburban security in the downtown core that houses Milestones, Chapters, Silver City, and Playdium. Come downtown and pretend you’re in Mississauga!

"Oh! I forgot to tell you something!" Said a female voice from behind me. I immediately identified the awkward tone of an early- stages date conversation and my interest was piqued, "I forgot to tell you that one of my room-mates is a vegetarian too!"

"Oh yeah?" said the guy she was walking beside, with what might have been the slightest tone of indifference.

"Yeah!" She continued a little too enthusiastically, "The Indian one!"

"Really? One of your roommates is Indian?"

Only two minutes into my walk and I already had a dose of the good stuff I’d been looking for. It’s much more difficult to overhear conversations like this in Georgetown- I blame it on the lack of pedestrian traffic. Wanting to understand the ‘mechanism of humour’ that had made me laugh, I went to work mentally dissecting the brief exchange.

The girl seemed to be trying really hard to make a connection, however tenuous, with the guy using the old "I’m not a comic artist, trapeze artist, gerbil, small piece of belly button lint, but I know somebody that is…" technique. I re-watched Fawlty Towers a couple of months ago and in the interview portion of the tape John Cleese talked about the ‘comedy of misunderstanding’ being his favorite type to write. One person is talking about one thing and the other person thinks they’re talking about something else, and they just keep missing each other. I could see the whole evening continue like this, on a gradual ladder of escalating misunderstanding. What gave the exchange its edge was the ambiguity. Was the guy purposefully misunderstanding his companion or was he was genuinely surprised and interested to learn that she had an Indian roommate? I didn’t turn around to check out whether the guy was of South Asian descent himself - the other possible interpretation percolating in my head was that she’d inadvertently insulted the guy by attempting to make two stupid random associations instead of just one in. The guy knew enough to understand that simply saying "Who the fuck cares" might not have been the best approach.

I walked on, feeling sure that the night would turn up some other unexpected surprise; a crack- house escapee that I have to pull off of a 7 foot chain link fence she got stuck on trying to escape a pack of imaginary dogs (true story); a guy that says that he’s on the Olympic soccer team and promises that he’ll give me his goal winning game shoes if I lend him 40 bucks (another true story- a scam as it turns out); Marc Bell; another guy who spends the his days on a subway grate and wants to show me what they do to guys like me back in the ‘Peg when we refuse to give em five bucks; you know, all that fun city stuff.

I ended up following someone who looked suspiciously like a S.W.A.T. Officer, complete with in jackboots and fatigues, into the Silver Snail. There appeared to have been a significant reshuffling of the stores priorities, with the whole left hand side that was once been full of comics now packed floor— to- ceiling with action figures. For a moment, I considered that perhaps they had stopped stocking comic— books altogether, (the thought of which didn’t really disturb me as much as it perhaps should). After turning the corner I saw that there was still an aisle left of comic racks but I couldn’t spot any of the books I’d been looking for, although, they did at least had some recent copies of The Comic Journal. Most of the suburban comic book shops I’ve been frequenting since I moved out of the city just look at me like I’m crazy when I ask them if they have the Comic Journal in stock. This is how the conversation usually goes:

Person behind the counter: Do you mean Previews?

Me: No, I mean the Comics Journal.

Behind the counter: Never heard of it. Are you sure that’s the right title? What did you call it again?

Me: The Comics Journal… It’s a magazine of comic criticism?

Behind the counter: blank look.

My standards for comic shops are low to begin with. Fine, don’t carry the Journal if you don’t want, I can understand that the demand may be low. But, please, suburban comic shop owners, at least be informed enough to be able to proclaim your hatred of it’s snobby exclusionism! You’re letting me down here!

The Snail was claustrophobically packed so I followed the S.W.A.T. Officer out to the front door. Two action figures swung in his hand just under his gun belt. The Toronto S.W.A.T. Unit always gets their men!

I proceeded to wander along Queen, Canadian Music Week in full swing. Stopped into Rotate This, couldn’t find any records that I wanted so I picked up two tickets for my current musical obsession, The Decemberists who are playing the Horseshoe March 29th.. Wandered up Bathurst, passed the good old Funeral Home on Bathurst. A funeral had just ended, and crowds of mourners in black milled about on the sidewalk, near to the Balloon King that’s attached to it. Just north of Dundas I noticed a new MacDonald’s had been erected and that the old parking lot behind the hospital now had a large pillared sales office promoting a new development of luxury town homes sitting on it. This was on the same spot where I had been accustomed to seeing small encampments of homeless people. Good, new luxury apartments with huge windows for me to stare enviously into their impeccably designed interiors. How do I get me a place like that? And don’t tell me by working. Part of me think it’s all artifice, these places don’t exist at all; they’re all just sales offices designed to create within us the desire and longing for that perfect imaginary urban lifestyle. You know the kind of lifestyle; the open concept, custom-made coffee table, strung halogen lighting, type lifestyle. Oh, Wait, I apologize, it was Designing Guys that created that desire in me.

A little more strolling and I was on College Street. In a chic College Street Bistro a gentleman with a blonde Mohawk waited tables as I peered in to club windows trying to find somewhere to stop to get a beer and a bite to eat. All of the clubs were almost empty. Had College West Street ceased to be the coolest neighborhood in the world? I looked at my watch and realized that it was still only 7 pm, still early by my old-me standards.

Next stop, Dragon Lady Comics, one of the better shops in town for back issues and paper ephemera. While flipping through comics and deciding what I was going a pick up, a father with baseball hat and a short grey ponytail entered the store with his 5-year-old son:



"Oh great" said the five-year-old to his father: " A comic shop! Now you’re never going to want to leave!"

Something very strange is afoot in the world.

I ended up picking up the new issue of Black Hole, Lost World by Tezuka and Comic Art magazine, with an ‘In the Studio’ feature on Art Spiegelman. For comics talk and pure breadth of comic knowledge, Spiegelman is hard to beat. His appraisal of his New Yorker work had an unexpected air of humility: "There were a few high points, but there’s a lot of stuff in there where I was just being a working stiff, doing the gig."

Before I am able to come to grips with a new issue of Black Hole, I often have to reread the previous issues. I’m always kind of hoping that one of the new issues will be the one to put it all in focus for me, but this penultimate installment wasn’t the one to do it. I turned to the TCJ conversation on Black Hole ; for some elucidation but didn’t really find any. Over all this it was one of my least favorite issues in the run, especially following issues 8-10 which I thought were truly powerful. It may come as heresy, especially considering gushing comments on the thread, but I even thought the art looked a little… rushed (?) in comparison to earlier issues. I’m specifically talking about the scenes of Eliza sitting in the desert. Compare those images to any of the drawings of her in the druggie den, or when she met up with Keith in the supermarket; the newer drawings seem somewhat awkward, lacking that grace that Burns seemed capable of bringing to every image of Eliza.

As for Lost World, I had mistakenly thought that it was a later Tezuka work, and picked it up because I’ve want to read more, but have been getting Astro Boy overload. I realized within a few pages, that Lost World was actually juvenilia and not particularly coherent, at least for the first few chapters. In retrospect I wished I’d spent my money on Buddha instead- I haven’t read enough of Tezuka’s work to be a completist yet, and at a first pass that’s who it should have been buying Lost World. But I should probably just shut up until I’ve finished reading the thing. I should probably just shut up period.

My faith in the old world order was restored by a second father and son duo I overheard in the store:

"Dad?" said the son tentatively. I estimated that he was around 12 years old, and was holding the comic book open so his dad could see, "Do you it would be alright for me to get this one?"

"Sure! Go ahead!" the father responded amiably: "Get which ever one you want!"

"But look!" the son looked up at his father with concern as he pointed out one of the many scenes of graphic violence contained in the comic: "Don’t you think that it might be too violent for me?"

"Nawww…" Said the father as he made a waving gesture: "You know that I don’t care about that kind of thing!" Evidently the son didn’t feel as comfortable with this position as his father did. Don’t you know that I need boundaries, Dad? You can’t just let me buy those comics! No, you’ve got to tell me I’m not allowed to read them until I’m 18, so that I can go out and buy them in secret! You’re robbing me of the shame that is every pubescent boy’s god-given right!

For some reason, that felt like it was for my benefit more than anyone else’s, the father qualified his position: "I mean. It’s not like you’re going to out there and do that stuff, just because you saw somebody in a comic book do it, right?"

I went up to the cash to purchase my comics, interrupting a conversation about the innately jealous nature of Professional Wrestlers, and headed out again. Trying to think of somewhere to eat, I passed a decent looking Sushi Place and decided to try it out. I ordered Sashimi and a Stella, and when the order came it was only so-so, a bit of a let down, so I treated my self to side order of Octopus as well. The Octopus wasn’t so hot either; I’m used to chewy but this was impossibly, never- endingly chewy. Plus, it had been prepared in slices that were too big put in my mouth all at once, and I wasn’t able to tear it in half with my teeth because its too rubbery and instead I just stick it in my mouth in one piece. Not a good idea- it’s takes me good ten minutes to chew one piece. I finish my beer, pay up and head back (now slightly drunk) down towards Queen Street to meet up with Marianne.

In the spirit of reverie, I decided to take a route that wound through my old haunt in Kensington, past the 120 year old house that we rented for a year or so, until the landlord below us had a paranoid freak- out and started banging on our apartment door at 2 am, and screaming at the tops of his longs: "The toilet is running! The toilet is running!" and scaring the bejezuz out of Marianne (I was doing a midnight shift at the time). We decided to move to a quieter neighborhood shortly after that incident and ended up only being able to find in a basement apartment in Parkdale, which successfully cured us both of wanting to live in the big city for a while.

The top portion of the market seems to be getting slightly more fashionable now, with the restaurant I wrote this strip about replaced by a nice looking Mexican restaurant, as well as there being a new sushi restaurant and trendy looking bar. Down, down past more immaculate condos, this time the converted George Brown College Kensington Campus, past gangs of supermarket workers in white jackets piling up empty produce boxes, past Happy Seven, Dragon City, The Vietnamese vegetarian restaurant on the second door I used to frequent with my buddy Roark.

When I arrived to Queen, I start counting the disappearing landmarks of my youth. What had once been the unofficial OCA pub since the late 70’s, The Beverly, was for Sale. The Bamboo was now called The Ultra Lounge and featuring an alleyway guarded by two security guards with duffle coats and headsets. The alleyway lead to a set of imposing, yet very stylish, doors.

I had arranged to meet my wife at one of two bars. Both had their doorways guarded by very curious gentlemen who greeted me and wanted to ask me lots of questions. The doorman at the first pub asked me, "Are you by yourself? Or are you just meeting friends?"

I thought about this for a second.

"I am meeting friends," was the reply I decided on.

I instantly regretted my decision. I should’ve told him that I was meeting my wife, then he would’ve probably treated me with more respect. Then he would’ve known that I wasn’t some young punk trying to sneak in twenty friends one by one so that we could all buy each other rounds of tequila, light up some stogies, and then spew vomit over the already over-capacity patrons. "There’s no need to worry about me!" I should’ve said: "No sir! I’m not here to cause no trouble! I’m a Married Man!"

Anyway, I didn’t find Marianne so I moved on to the second place that we had agreed to meet. Another curious gentleman stopped me at the entrance. But I had the correct response at the ready this time: "How many of people did you want to bring in?" he asked.

Clever, I thought, he’s rephrased the question slightly to try to throw me off my game.

"I’m just looking for my wife." I said.

It came out sounding more serious than I intended. I realized that it was the same tone of voice that I probably would’ve used if I knew that my wife was inside the pub having drinks with some asshole that I suspected she was having and affair with. It was the tone I would have used if I were intending to barge into the Pub, hunt them both down, and then kill them and then kill myself. That wasn’t how I’d meant it to come across. I realized that what I really should’ve said was: "I’m looking for my wife, to whom I am happily married and secure in the knowledge that she is not having an affair."

"Uh…Okay" the guy moved aside to let me in. He yelled one last comment as I started searching the packed bar:

"I hope you find her!"


posted by Alan
permalink

10:30 PM





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